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The origins of the documentary date back to early factual records, such as the reconstructive works of H. Bruce Woolfe or the observational style of Robert Flaherty’s Nanook of the North . For decades, these films were categorized as educational or instructional.

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These films weren't just about bands or artists; they were about the crushing machinery of the industry itself. They explored the anonymity of the almost-famous and the commodification of rebellion. They showed that the entertainment industry was not a meritocracy, but often a cruel lottery. The origins of the documentary date back to