Darren Aronofsky - Pi -1998- • Best Pick

Max is obsessed with finding a pattern within the stock market, which he views as a vast natural organism. His quest eventually leads him to a 216-digit number that may be the key to the universe—or a divine code for God. 2. Radical Visuals and "Hip-Hop Filmmaking"

The Chaos Theory of Genius: Revisiting Darren Aronofsky’s Pi (1998) Darren Aronofsky - Pi -1998-

Aronofsky utilizes rapid montages and "hip-hop montage" techniques—often mounting the camera directly to the actor—to heighten the film's manic energy. Max is obsessed with finding a pattern within