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On television, delivered what might be the definitive performance of the archetype in Damages (2007-2012). As Patty Hewes, Close showed a woman in her 60s wielding power with Machiavellian glee, navigating legal warfare while crumbling emotionally in private. She was the protagonist, the antagonist, and the anti-hero all at once.

The next frontier is ensuring that the second act of cinema applies to Black, Asian, Latina, and Indigenous actresses equally. We need stories of mature women living with disabilities, queer mature women, and women of different body types. The revolution is only half finished.