uses a 3D cel-shaded technique that mimics stop-motion realism. The lighting is programmed to simulate the practical constraints of a ship at night (lanterns, bioluminescence). The monster design is grotesque but believable. Fincher insisted on "dirty" textures—everything is wet, oily, and splintered.
– A comedic palette cleanser: a zombie apocalypse played out in miniature, from graveyard to godlike thermonuclear blast, in under seven minutes. Pure, chaotic fun. Love- Death Robots - Season 3
If you skipped Season 2 out of disappointment, you are doing yourself a disservice by skipping Volume 3. Here is the target audience: uses a 3D cel-shaded technique that mimics stop-motion