The thesis is publicly available on the . Search: "Leung, Serrina Yuet-ching PhD 2020" . It is 278 pages. The appendices include student-drawn comics and transcribed rap battles in mixed code. The acknowledgements thank her band members and end with: "And to my cat, who sat on my keyboard during revisions. He deleted three pages. I rewrote them better."
Her thesis argues that the answer is —but only through a radical deconstruction of what Cantopop is "supposed" to be. Serrini Phd Thesis
Others argue that her thesis ignores the commercial realities of the industry. If "linguistic jamming" is a resistance, why did she sign with a major label? Serrini’s response? That is the final chapter of her thesis: "Resistance within the system is the only resistance that matters. Purity is a luxury of the irrelevant." The thesis is publicly available on the
The fascination with the stems from this very dissonance. Fans are eager to dissect how the mind that analyzed complex literary theory is the same mind that penned catchy, tongue-in-cheek pop anthems. Her thesis serves as the bridge between these two worlds, offering a roadmap to the intellectual currents that flow beneath her discography. I rewrote them better
Serrini is famous for dropping the Cantonese swear word "diu" (屌) into her songs with the casualness of a sigh. In an academic context, this raised eyebrows. How does one justify the use of vulgarity in a doctoral thesis?