Most traditional etude books (think Ferling or Kopprasch) are designed for classical articulation. They teach you how to play notes . Bob Mintzer’s book, published by Alfred Music, is designed to teach you how to play music .
Mintzer designed these studies to be accessible to players of all instruments, provided they possess moderate reading skills. The book’s primary goals include: Solo Performance
This etude challenges the player with intervallic jumps that don't always fall comfortably under the fingers. It forces the musician to visualize the chord tones across the horn
: Slowly (lyrical), Syncopated Accents , Rhythm Changes - What's the Word? , Five-Four , and Fast! .
Unlike classical etudes that demand a metronome and a sterile room, these etudes demand a full band and a dance floor.
One cannot discuss these etudes without worshiping the backing tracks. On the original CD (and subsequent digital release), Bob Mintzer performs these etudes on tenor saxophone alongside a rhythm section. However, the feature the rhythm section only —piano, bass, and drums—playing authentic, non-cheesy grooves.
Bob Mintzer 14 Jazz And Funk Etudes Pdf [2021]
Most traditional etude books (think Ferling or Kopprasch) are designed for classical articulation. They teach you how to play notes . Bob Mintzer’s book, published by Alfred Music, is designed to teach you how to play music .
Mintzer designed these studies to be accessible to players of all instruments, provided they possess moderate reading skills. The book’s primary goals include: Solo Performance bob mintzer 14 jazz and funk etudes pdf
This etude challenges the player with intervallic jumps that don't always fall comfortably under the fingers. It forces the musician to visualize the chord tones across the horn Most traditional etude books (think Ferling or Kopprasch)
: Slowly (lyrical), Syncopated Accents , Rhythm Changes - What's the Word? , Five-Four , and Fast! . Mintzer designed these studies to be accessible to
Unlike classical etudes that demand a metronome and a sterile room, these etudes demand a full band and a dance floor.
One cannot discuss these etudes without worshiping the backing tracks. On the original CD (and subsequent digital release), Bob Mintzer performs these etudes on tenor saxophone alongside a rhythm section. However, the feature the rhythm section only —piano, bass, and drums—playing authentic, non-cheesy grooves.
