You could extract the "swing" or "feel" from one audio loop (say, a funky breakbeat) and apply that rhythmic groove to a MIDI track or a straight 808 drum loop.

Double click a region of audio. Instead of just editing the waveform, you are dropped into the . Here, you can change the envelope (attack, decay, release), reverse the audio, or granularize it—all without ever leaving the timeline view.

The user interface is modern (dark mode by default, with customizable color palettes), the new Chopper 2.0 is addictive, and the stability is finally robust enough for professional film scores.