The subject was a photograph of a young ballerina named Mira. She was fifty-eight years old, a former principal dancer. Her face was a landscape of deep laugh lines, her neck a tapestry of elegant crepe, her hands knotted with arthritis. Her eyes, however, were fierce and brilliant.
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The subject was a photograph of a young ballerina named Mira. She was fifty-eight years old, a former principal dancer. Her face was a landscape of deep laugh lines, her neck a tapestry of elegant crepe, her hands knotted with arthritis. Her eyes, however, were fierce and brilliant.