However, due to the common practice of pasticcio (pasting arias from one opera into another), the aria also appears in manuscript collections attributed to other composers like Leonardo Leo or Hasse. Regardless of the attribution, the style is quintessential Barocco : highly ornamental, grounded in basso continuo, and deeply expressive.
The poet constantly maps his emotional states onto natural elements—mist, rivers, twilight, and especially that surrounds the small Umbrian village where the narrator lives. Nature is both a sanctuary and a confessional space. questo amor vergogna mia pdf