: Unlike the standard version, the MS model allows for independent processing of the center (mid) and edges (side) of a stereo signal, which is essential for adjusting stereo width and spatial clarity during mastering.
| Band | Type | Frequency Range | Gain | Notes | |------|------|----------------|------|-------| | | Shelf | 30 / 60 / 120 / 250 Hz | ±12 dB | Clean bass lift without mud | | Low-Mid Bell | Bell | 160 / 315 / 630 Hz | ±12 dB | Targets boxiness or warmth | | Mid Bell | Bell | 500 Hz / 1k / 2.5k Hz | ±12 dB | Presence and clarity | | High-Mid Bell | Bell | 2.5k / 5k / 10k Hz | ±12 dB | Attack, edge, or softness | | High Shelf | Shelf | 2.5k / 5k / 10k / 20k / 40k Hz | ±12 dB | Note: 40k option overlaps Air Band but with cut capability | | Air Band | High Shelf (boost only) | 10k / 20k / 40k Hz | +1 to +6 dB | Signature Maag feature | Maag Audio EQ4 MS -WiN-MAC-
If you have ever struggled with brittle, harsh high-end from digital synthesizers or budget condenser microphones, the Air Band is your solution. Unlike a standard high-shelf filter that boosts everything above a certain frequency, the Air Band focuses on the "presence" zone (2.5 kHz, 5 kHz) and the "brilliance" zone (10 kHz, 20 kHz, and 40 kHz) without introducing the "spiky" artifacts common in stock DAW EQs. : Unlike the standard version, the MS model
Here’s a detailed feature breakdown for the (Windows & macOS), based on its real-world design as a premium, music-first equalizer plugin. Here’s a detailed feature breakdown for the (Windows