Shahd Fylm The Preacher--39-s Daughter 2016 Mtrjm Fasl

The Preacher’s Daughter (2016) stands as a modest yet resonant entry in contemporary independent cinema. Its combination of sincere performances, an evocative original soundtrack, and a respectful handling of religious themes gives it lasting relevance for both film scholars and audiences interested in stories about personal identity within faith communities. While it did not achieve mainstream commercial success, its critical reception, festival accolades, and enduring niche following underscore its value as a solid, well‑crafted drama.

| Item | Details | |------|---------| | | The Preacher’s Daughter | | Release Year | 2016 | | Country of Production | United States (independent) | | Language | English (original); several subtitled versions for international markets | | Genre | Drama / Coming‑of‑age | | Running Time | Approx. 97 minutes | | Budget | Estimated $1.5 million (independent financing) | | Box‑Office | Limited theatrical release – total gross ≈ $210,000 (U.S.) + modest overseas VOD earnings | shahd fylm The Preacher--39-s Daughter 2016 mtrjm fasl

| Role | Name | |------|------| | | Miriam Talbot | | Screenwriter | Jordan Pierce (adapted from a short story by Liza Harper) | | Producer(s) | Nadia Al‑Saadi , Rashid Karim (Shahd Film Productions) | | Cinematographer | Ethan L. Chu | | Editor | Lena Ortega | | Music Composer | Samuel “Sam” Duvall (original score) | | Production Designer | Maya R. Patel | The Preacher’s Daughter (2016) stands as a modest